Conventional watch-snob wisdom – usually based on little more than photos somebody posted to the internet – says that the Girard-Perregaux Laureato looks like the Audemars Piguet Royal Pine and Patek Phillipe Nautilus had a baby.
But I’ve seen the baby. I’ve tried the baby on. And I can tell you that I do not share this sentiment.
The Girard-Perregaux Laureato watch, like all watches, deserves to be judged on its own merits.
The Laureato was born in 1975, several years after the Regal Oak and one year before the Nautilus. Let me call the actual Laureato “Stainless Steel with Integrated Bracelet Icon Watch Number Two. ” (I would turn that into an acronym but SSIBIWNT will never be gonna stick. ) For context, let me recall that this IWC Ingenieur was released within 1976 and the Vacheron 222 followed inside 1977. Now that we have placed all of the heavy hitters on a timeline, it’s obvious to see that these timepieces (three that were designed by Genta) were all produced in the same trend bubble.
As HODINKEE’s new Style Publisher, I am in this article to tell you that this is very normal behavior not only in the fashion world, but also in the much wider design field. It’s standard for existing products to be variations on the theme, throughout dialogue against each other, and in this way the bulbous steel sports watch is to the 1970s what the dad sneaker would be to the 2020s. They all look the same and, simultaneously, not. It’s the same in watches. You don’t see anybody calling out AP for using exposed screws on the bezel, a design feature that started way back in the beginning of the 20th century with the Cartier Santos Dumont.
If we look to the particular runway as a comparison, I could name 10 brands off the top of my head that copied Yves Saint Laurent, and nobody would even bother chastizing them because those designers are talented in their own right – these are simply iterating. It’s human nature to look to the cultural zeitgeist for inspiration, but callout culture is par for the course with 2022. Seo experts be familiar with typically the Instagram account @dietprada; its entire raison d’être is always to call away brands with regard to “plagiarizing” other people’s work and ideas, it has 3. 2 million followers. One might confess certain WIS comments sections serve this purpose in our world.
In any case, skeptics should remember that Girard-Perregaux Laureato made waves way back in 1971 for your GP-350 Caliber, the quartz movement which set often the universal market standard regarding frequency, which is a pretty big feat. The GP-350 was the caliber used in the very first technology of the Laureato, a feature that will set the watch apart from the some other SSIBI timepieces. The quartz movement also made it feasible for GP to produce a super slimline case. The actual 1975 Laureato had a very thin profile and even thinner integrated bracelet; it was the exact predecessor for many ultrathin quartz (and later mechanical) wrist watches, a category I like to call “The Skinny Legends. ”
Back to the new model, ref. 81010 around green, which in my mind is a serious contender in the luxury sports view category. Even though it has a 42mm case, it sits extremely comfortably on my six-inch arm. The shape of the lugs tend to be super angular and they taper into the band nicely, which makes the watch appear smaller than the very dimensions would suggest. The H-link bracelet additionally tapers nicely and features a double folding clasp. The green ‘Clous de Paris’ switch certainly stands out on this model, but what appeals to me more is the contrast between the color of the call and the black PVD-treated, baton-style hands as well as hour indicators with thick strips associated with white lume. It’s reminiscent of freshly painted white lines on a lawn tennis court – how British regarding me!
The particular Girard-Perregaux Laureato dial is actually framed with a contrasting dark flange that echoes the shape of the circular disc behind the bezel; this seems to soften the main harder outlines of the octagonal shape. The case and necklace, like many watches of this variety, have juxtaposing polished and satin-finished surfaces. There is a sapphire crystal caseback letting you admire the finishings within the in-house GP01800 movement, which is nice if you, like me, find holding your enjoy up to the light to admire the oscillating rotor to be a soothing activity.
The Laureato was conceived during a period of great positive outlook in design. It was a time for analysis and self-expression; aesthetic trends ranged from high-tech architecture to Op-Art-inspired supergraphics. Design across clothing, homeware, and jewelry was all about soft geometric shapes and also curved edges. It was bold and fun. So is this watch.
My real interest in GP began with the famous Casquette, which was released in 1971 and then re-released earlier this year. At the time of the release, the actual Casquette was every bit symbolic of futurism and has since become a symbol involving ’70s see design. If there’s one thing Girard-Perregaux knows how to do, it is shapes. And if I appear closely at the most recently released series of Laureatos, the ever so slightly domed sapphire amazingly makes me personally think of the particular windows on Pierre Cardin’s bubble houses. But maybe I’m just a ’70s nostalgia freak. Breitling Endurance Pro Replica
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Put in straightforward terms, the Girard-Perregaux Laureato green is a legit steel sports activities watch having a surprising value proposition. While the green-dial version comes in at $14, 300, that is rather spendy, it’s still considerably less of your budget than anything comparable from the Holy Trinity. You’ll also have a much easier time getting hold of one, and you would not be afraid to wear it while indulging in your your deepest Saturday Night Fever disco fantasy.
